Credits:

Music: Phonat - Love Hits the Fan

Studios:

State Design
The Mill
Royale
Two Fresh Creative
Mirada
Motion Theory
Bigstar
Pilot NYC
Big Block
Novel Media
Brand New School
Woodshop

Credits:

Creative Director - Phil Guthrie
Producer -  Cameron Gordon
Designers - Julia Yellow, Brian Gossett, and Susan Yung
Animators - Phil Guthrie, Danni Fisher-Shin, Ola Tandstad, Oliver Wee, and Andrew Schreiber
Audio - Jon Friedner
Script - Jameson LaMarca

CREDITS:
I worked on these spots at Woodshop in Culver City, CA.
I worked as a 2d animator and compositor for all the back ground elements.

CREDITS:
This was a huge job over at mirada i was given the opportunity to work on. it was a large team but i got to touch almost every shot and finished about 4 in the anthem and 2 shots in the doctor spot and 3 shots on the cell phone spot. it was a lot or AE c4d and then coordinating with nuke and Houdini. The process of working all together in a workflow proved to be very difficult. But the final product turned out pretty awesome.

CREDITS:
I worked on this job at Big Block in Santa Monica, CA. I had the opportunity to help over see a few artists in the animation phase and help move this project forward.

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie
Designers: Phil Guthrie
Sound Designer: Phil Guthrie

The guys at oddshot came to us with a challenge, Lets make our brand come to life!

So we took the direction in two distinct directions, 2D and 3D. We created a look in both directions. They were thrilled with both and after being torn between them, they chose the 3D approach. This is what we delivered you see to your right. We delivered a variety of end tags, an open, a countdown form 1-10, and a editable toolkits lower third. 

Working with these guys opened our eyes to E-Sports and we are really enjoying working with multiple areas of this genre. 

Credits:
Producer - Cameron Gordon
Creative Director – Phil Guthrie
Designers - Julia Yellow
Animators - Phil Guthrie & Danni Fisher-Shin

his was a fun one for the new collaboration between NFLPA and multiple Venture capital firms. scripted, designed, and animated this one pretty quickly for their brisk launch. 

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie, Fabian Garzon
Designers: Phil Guthrie, Marcos Vaz

This was a rebranding of a new network that Face It, a major player in E-Sports broadcasting, Launched in May 2016. It is called E-sports Championship Series or ECS for short. It broadcasts on TWITCH which they have partnered with in 2016.

We were given the opportunity to pitch a design and feel for the online broadcast. So of course we were very excited to take this on, as we had just worked with Oddshot, another player in the E-Sports world. This rebrand really helped us understand the world of E-Sports and all the elements that go into creating a custom network for their style of game play. 

CREDITS:
I worked on these spots at Woodshop in Culver City, CA.
I worked as a 2d animator and compositor for all the back ground elements.

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie
Designers: Phil Guthrie

This is a spec spot we created in house. We are HUGE fans of this camera. We love the capabilities of a 360 camera. This one fits in your pocket and creates fantastic images and video. 

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie
Designers: Phil Guthrie, Marcos Vaz

We worked together with Faceit, Blizzard, and TBS on this last minute intro to Overwatch, to create a league. This was created as a base and they will be creating GFX based on our foundation here. Then in September 2016 the finals will be broadcast on TBS for the world to view in TV. This is a great step for the E-Sports community!

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie
Designers: Phil Guthrie

We worked directly with POPTV on this small piece which was a compliment to the wonderful upfront executed my STATE DESIGN. We  got to disassemble emojis and brignt hem to life. We kept them feeling still like emojis but gave certain arts a life of their own and woke up these emojis and gave then a transition to another emoji. it is kind of a case and effect theory. And this is how it turned out! There is no audio since this was played on screens on loop for POPTV investors.

Credits:
Production Agency - Novel Media
Creative Director - Phil Guthrie
Producer - Cameron Gordon
Animators: Phil Guthrie
Designers: Phil Guthrie
 

The NFLPA is a fun client to work with. We worked though our buddies at Novel Media on this one. We had the opportunity to get grungy and collage-y on this one. The NFLPA was VERY happy.

CREDITS:
I love music videos. So when Mirada contacted me about doing another one just after we had don’t the capital cities job i said “Hell Yes”. This was a huge one. I was the main AE artist on the job. Worked on so many of these shots and collaborated on the others to help find what we were looking for.

CLIENT
Artist: Katy Perry
Record Label: Capitol Music Group
SVP, Creative & Video/Producer: Danny Lockwood

PRODUCTION
Production Company: MTh (Motion Theory)
Directors: Grady Hall, Mark Kudsi
Executive Producer: Javier Jimenez
Director of Photography: Maz Makhani
Line Producer: Oualid Mouaness
Creative Consultant: Mathew Cullen
2nd Unit Director: Jonathan Wu
Director of Marketing: Caroline Gomez

POST PRODUCTION
Post Production Company: Mirada
Chief Creative Officer: Mathew Cullen
President: John Fragomeni
Executive Producer: Patrick Nugent
Creative Director: Jonathan Wu
Art Director: Daryn Wakasa
VFX Supervisor: Michael Shelton
VFX Producer: Derek Johnson
VFX Coordinator: Kate DeCrosta
Designers: Luke Belderes, Clara Moon, Jing Zheng, Ken Lee, James Levy, An Nguyen, Charles Wang
Matte Painters: Niall Booker, Maxx Burman, Jason Dunn, Jim Hawkins, Rei Sparks
Design Animators: Phil Guthrie, Ivan Cruz, Eddie Won, Andrew Tan
Design Intern: Su Jung
Houdini Artist: McKendree Schilthius, Kevin Gillen
Cel Animators: Song Kim, Jahmad Rollins, Laura Yilmaz, Ashley Becerra
Tracking Artists: Michael Makers, Jared Sanders
Nuke Artists: Jason Bidwell, Geoff DuQuette, Jim Kuroda, Mark Robben, Ryan Quinlan
Flame Artists: Dave Stern, Pilon Lectez, John Geehreng
Production Manager/HR Director: Tina Van Delden
Creative Consultant: Ryan Erke

EDITORIAL
Editorial Company: Mirada
Editor: Alan Chimenti
Editorial Assistant: Michael Vargas

COLOR
Color House: Ntropic
Colorist: Marshall Plante

SOUND
Sound Company: Therapy Studios
Sound Designer: Eddie Kim
Sound Mix: Lihi Orbach

Credits:

Producer - Cameron Gordon
Creative Director - Phil Guthrie
Designers - Wendy Wong & Andrew Schreiber
Animators - Phil Guthrie & Andrew Schreiber

We created the title card and the interstitials for this new show on Fullscreen's network. It was a light hearted and fun project where we kept it simple and used some elements to help tell the story with simple type.

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Credits:

Producer – Cameron Gordon
Creative Director – Phil Guthrie
Art Director: Oliver Wee
Animators: Phil Guthrie & Oliver Wee
Designer: Julia Yellow

We once again got the opportunity got to work with Boston University on one of their campaigns... 

STATE Design Credits:
Creative Director – Marcel Ziul
Producer: Alex dos Santos
General Manager: Tais Marcelo
Art Director: Marcel Ziul
Animators: Phil Guthrie, Luis Suarez (Lucho), Mauro Borba, Victor Silva, Marcel Ziul, Ken Pelletier
Designers: Ken Quemuel, Ken Lee, Marcel Ziul
Roto: CG Lab

FS1 Credits:
EVP/Head of Marketing: Robert Gottlieb
SVP On-Air Promotions: Bill Battin
VP Creative: Blake Danforth
VP Marketing: Keith Hritz
Creative Director: Steven Lewis
Director On-Air Promotions: Claudina Mercado
Audio: Chris Fina
Editor: Jeff Skinner

Credits:
Production Agency - PILOT NYC
Animators: Phil Guthrie
Designers: Phil Guthrie

Pilot NYC came to us for some help on this network bumper with TBS and The Big Bang Theory. 

The thought process behind this is Shelton the main character is looking through a microscope at some amebas and such and then after zooming out a few times the cells for the TBS logo. The was a really fun and creative project for us.

CREDITS:
I worked on the endtag including the transition, some elements in the intro, and a lot of the shots I tracked and comped in elements into the scenes. I worked on about 6 different edits for this series of AT&T spots. All work was done while employed at MOTION THEORY.

CREDITS:
In this spot, I first created a rough cut of how everything was laid out. I then worked on the beginning and end Backplates. I also worked on the type reveals in the barrel scene and the sunset scene. and a few smaller things in the piece. All animations were done while employed at DIGITAL KITCHEN.

STATE Design Credits:
Creative Director - Marcel Ziul
Producer: Alex dos Santos
General Manager: Tais Marcelo
Art Directors: Marcel Ziul, Phil Guthrie
3D Lead: Mauro Borba
Animators: Phil Guthrie, Mauro Borba, Diego Coutinho, Regis Camargo, Marcel Ziul
Illustrator / Designer: Bruna Imai

Illustrations by: Peter Strain

FOX Sports credits:
EVP/Head of Marketing: Robert Gottlieb
SVP On-Air Promotions: Bill Battin
VP Creative: Blake Danforth
VP Marketing: Keith Hritz
Creative Director: Steven Lewis
Director On-Air Promotions: Jason O'Leary
Producer: Justin Greenlee
Audio: Chris Fina
Editor: Jeff Skinner

Check the Case Study here: statedesign.tv/portfolio/fox-sports-fifa-womens-world-cup-2015/

Credits:
Production Agency - Sarofsky
Creative Director - Erin Sarofsky
Designers: Phil Guthrie
 

This was an opportunity with Sarofsy, to pitch on a end tag for Century Link, We built a mood and integrated arcetecture between the graphics and the footage then we had a large logo reveal from the cetury link logo in a 3D form.

Credits:

Studio: State Design

Creative Director: Marcel Ziul

Art Director: Marcos Vaz

Designer: Marcos Vaz

3D Animators: Marcos Vaz, Mauro Borba

Animation/Compositing: Phil Guthrie, Marcos Vaz, Mauro Borba

Credits:

I worked on this video display for Mirada + IBM. It was a 18K size which had its own complications but gave me great experience with installations and how things change so dramatically between the computer screen and real life. Although it was one of the hardest jobs i had to undergo it was a growing experience!

CREDITS:
I worked on this job at Royale in Hollywood CA. I had the opportunity to take this live action footage they shot and tweak it into a kaleidoscope. It was such a fun project.

Credits:
Production Agency + Edit - Stitch
Designers: Luca Giamati
Animator: Phil Guthrie

Stitch Came to us to help out with graphics for the new batch of Men's Warhorse commercials. The batch were all edited and handle mostly in house at Stitch, but we created the toolkit and custom animations for the package. We used our RE-branding skills to create an editable After Effects project toolkit, so this way our work is done but they can continue to edit and ripple out more of these spots. 

In the end the client was happy and they are using the toolkits without a hitch. Thats a win for the whole FRESH crew here.

Credits:
Production Agency - Novel Media
Directors - Cameron Gordon & Phil Guthrie
DP - Joe Sailer
Creative Director - Phil Guthrie
Editor - Cameron Gordon
Producer - Cameron Gordon
Animators: Phil Guthrie
Designers: Phil Guthrie
 

Fight Night DC and Underarmour came together and created this festive night to raise cash for children. They came to Novel Media to reband the visuals, print, and t-shirts for 2015. We had the opportunity to work with Novel Media and create all these visuals and help direct the live action on set in Chicago for a weekend. This was a great milestone for FRESH.

We helped on every aspect of this project from beginning to end. From the ideation process to final delivery. We will be helping out on the 2016 graphics as well.

STATE Design Credits:

Creative Director – Marcel Ziul
Producer: Alex dos Santos
General Manager: Tais Marcelo
Art Director: Arpine Alexanian, Marcel Ziul
Animator: Phil Guthrie
Designers: Bruna Imai, Arpine Alexanian

CREDITS:
I worked on this job with a company called SuperLAtiv and they teamed up with Angelsign studio in Italy to create these package elements. We worked here in LA on the golf, rugby, and soccer elements. I worked mostly on animation and comping but shared these duties with Marcos Vaz and Marcel Ziul.

Credits:

Studio: Royale
Producer: Jamie Kitchens
Animators: Phil Guthrie & Wilson Wu
Compositors: Phil Guthrie & Wilson Wu

Credits:
Creative Director – Phil Guthrie
Animators: Phil Guthrie
Designers: Phil Guthrie
 

This project was a really quick turn around. Robert E Toll came to us, the legendary audio man, to create a intro and outdo for his videos. This is what we came up with for his company called "Q Factory" In a way we went for the literal Factory of Q's. But it still had an abstract feeling which gave it the right feel.

Credits:

Studio: Big Block

Designer: Shaun Collings

Animator: Phil Guthrie

Compositor: Phil Guthrie

Credits:

Studio: Big Block

Designer: Shaun Collings

Animator: Phil Guthrie

Compositor: Phil Guthrie

Credits:

Studio: Mirada
Animation/Compositing: Phil Guthrie & Others

★ AWARDS: 2013 VMA best visual effects
Grammy nomination for best music video 2013

TRT 3:46 / completed: MARCH 2013

CREDITS:
I was given the opportunity to be the lead animation/compositor on this job at Mirada/ Motion Theory. We began with a fast paced one day shoot at the old Los Angeles theater in downtown Los Angeles. Then we had an extremely quick turnaround for this video. All and all we had a small but very great team, and we all pulled this together
CLIENT
Client: Capitol Records
SVP, Creative & Video/Producer: Danny Lockwood

PRODUCTION
Production: MTh (Motion Theory)
Director: Grady Hall
Executive Producer: Javier Jimenez
Line Producer: Buddy Enright
Director of Photography: Shawn Kim
Choreographer: Mandy Moore
Production Designer: Teri Whittaker
Wardrobe Stylist: Roseanne Fiedler
Band Stylist: Jenni Lee
Hair/Make-up: Anny Kim
2nd Unit Director: Jonathan Wu
Additional Cinematography: Ernesto Lomeli
Director of Marketing: Caroline Gomez

EDITORIAL
Editorial: Mirada
Editor: Mike Merkwan

POST PRODUCTION
Post Production: Mirada
President: John Fragomeni
Creative Director: Jonathan Wu
Executive Producer: Patrick Nugent
Post Producer: Derek Johnson
Production Manager/HR Director: Tina Van Delden
Art Director: Ash Wagers
Compositing Lead: Phil Guthrie
Sr. Compositor: Wesley Cronk
Sr. Compositor: Ryan Quinlan
Flame Lead: Tim Miller
Flame Artists: Marla Carter, Michael Vaglienty
Designers: Ashley Becerra, Jennifer Rahardjanoto
Creative Consultants: Ryan Erke, Kevin Lau
Roto Artists: Zac Chowdhury, Robert Dorris, Meredith Hook
Lead Stock Researcher: Jean Mougin
Stock Researchers: Daniel Choi, Luciano Herrera

Credits:
:04-:08 AT&T- (MIRADA + MOTION THEORY) I created the endtag transition from the footage into the globe and comped quite a few shots of live action with graphics for multiple spots.
:08-:10 Haier- (3 RING CIRCUS) Animated the camera and objects, also did a few textures and all lockups.
:10-:12 Fiat- (MIRADA + MOTION THEORY) I Did some dynamic editing to go with the music.
:12-:14 Sky Sports- (SUPERLATIV) I modeled alot of objects, animated almost all of the rugby and golf packages, then did a few in soccer. Also did some comping for all the packages.
:14-:16 Toyota HSD- (MIRADA + MOTION THEORY) I created the lines and elements with C4D objects and rendered and comped all together.
:19-:22 AT&T- (MIRADA + MOTION THEORY) I created the endtag transition from the footage into the globe and comped quite a few shots of live action with graphics for multiple spots.
:22-:23 Xfinity- (MIRADA + MOTION THEORY) I created the silhouettes and comped into the end footage and i also worked directly with the client on a laptop screen flip.
:23-:25 Sky Sports- (SUPERLATIV) I modeled alot of objects, animated almost all of the rugby and golf packages, then did a few in soccer. Also did some comping for all the packages.
:25-:26 AT&T- (MIRADA + MOTION THEORY) I created the endtag transition from the footage into the globe and comped quite a few shots of live action with graphics for multiple spots
:26-:28 Bio- (BIGSTAR) I was with this job from the beginning to the end. My designs were picked to win the pitch then i helped head up every deliverable and animated alot as well. Also did the style guide and then the project won a 2011 SILVER PROMAX BDA.
:30-:32 Hardee’s- (BIGSTAR) I created 2000’s and 1970’s designs and animations.
:32-:33 Halo Awards- (BIGSTAR) I had to recreate a different version of the endtag that would have a wipe in and out for network purposes.
:33-:34 Bigstar reel intro- (BIGSTAR) I rotoed and keyed the ice-block we created with stop motion. Then i took the designs and animated all the frames for the 2010 BIGSTAR reel.
:34-:37 AT&T- (MIRADA + MOTION THEORY) I created the endtag transition from the footage into the globe and comped quite a few shots of live action with graphics for multiple spots.
:37-:40 Bio- (BIGSTAR) I was with this job from the beginning to the end. My designs were picked to win the pitch then i helped head up every deliverable and animated alot as well. Also did the style guide and then the project won a 2011 SILVER PROMAX BDA.
:47-:49 El Jimador- (DIGITAL KITCHEN) I created the endtag back-plate animation and various elements in the piece that were used to combine to finish it out.
:51-:52 Keybank- (DIGITAL KITCHEN) I did the type animation for the endtag.
:52-:52 Diet Tribe- (BIGSTAR) I comped and animated the endtag.
:52-:53 Army wives- (BIGSTAR) I animated and comped the endtag.
:53-:54 Budweiser American Ale- (DIGITAL KITCHEN) I rotoed the footage and then tweaked color and did cleanup.
:04-:08 Blackberry- (DIGITAL KITCHEN) I comped the buttons lights and screen comps.

Credits:

Studio: Toika
Animation: Phil Guthrie

Credits:
Production Agency - Novel Media
Creative Director - Phil Guthrie
Producer - Cameron Gordon
Animators: Phil Guthrie
Designers: Phil Guthrie and Ethan Woo
 

On this Project we worked with Novel Media Agency. On our end we designed and animated the whole piece. We were given the the opportunity to take the idea of "from B to U" and interpret it how we wanted. So we took elements of the college fund that are used and attatched them to the letters. We then chose the ones that would be most interesting, and had fun with it. The timeline was quick, but we pulled off something pretty fun on this one.

Credits:
Production Agency - The Fugitives
Animators: Phil Guthrie
 

The Fugitives came to us to bring the animation on this project to life. We were given the boards from the client, so we were left with the task to create some elegant simple animations. It was a campaign of 5 spots. The one here is just the triple play spot.

Credits:
Production Agency - The Fugitives
Animators: Phil Guthrie
 

The Fugitives came to us to bring the animation on this project to life. We were given the boards from the client, so we were left with the task to create some elegant simple animations. It was a campaign of 2 spots. 

CREDITS:
I was given the opportunity to work on the BIGSTAR Reel intro and inner-graphics. We shot a stop motion ice cube melting at the studio and then keyed and rotoed the block out for comping then took the designs created by Marcel Ziul and was given the opportunity to comp these together. I would say they were VERY fun too work with!